The Anubis Metal Album Review Thread

[Northman]

I have a few reviews that i have done in the last few years that i will post in here. Feel free to read and comment to your hearts content. :D

First up are what i call "Quick lick Reviews". These are ones that i find to be average to poor and dont spend a whole lot of time with. You'll see these on occasion. Any other review you see will be longer and are generally albums i like a lot or just decided to write a lengthy review for. Anyhow here are some quick licks.



Warrell Dane- Praises to the War Machine (2008)
http://metalarea.org/images/audiocovers/2008_Mar/acov_tid43397_thumb.jpg

First up is Warrel Dane's solo effort "Praises to the War Machine". First let me say this album can be enjoyable but...... there is nothing new brought to the table here. In fact, its just a watered down version of Nevermore. Its supposed to be a progressive album according to Dane. But Nevermore's work takes more risks and has far more progressive elements. Dane has been quoted as saying he wanted to take a more thrashy/songwriting direction on this project but what it features is a lot of what Nevermore does only better. In my opinion there was no need for this to be a solo effort. Warrel Dane should just take the guys in Nevermore and redo this album under the same moniker with the better talent available to him. Again, i can listen to this album without any problems as i enjoy Dane's vocals and it can be enjoyable but only a person who does not know who Dane is or his history will understand where this album is going. At the end of the day Nevermore is far better with a better quality product.


Album rating: 6/10



Judas Priest- Nostradamus (2008)
http://mediaportal.ru/uploads/posts/2008-04/1208846626_dezper.jpg

Ugh, why? So yea, ive listened to the new album by Priest and expected much more and instead got much less. The good news is this is Priest and Nostradamus incorporates all the styles that Priest have covered and used throughout their career. The bad news is overall its extremely weak. In fact, they could have cut this album down to about 11 songs and it would of been a huge improvement. Instead, we are subjected to 9 interludes out of 23 tracks. And out of the remaining 12 tracks we have maybe 4 songs worthy enough to stand on their own including the preview track "Nostradamus". The rest of the songs are watered down uninspired slow and methodical songs that really have no direction.

They dont know if they want to write a ballad or a complex piece of material. I understand what Priest were trying to accomplish with this record but there just isnt enough substance to carry it. The best tracks on this record are "Prophecy", "Visions", "Nostradamus", and "Future of Mankind". Other than that its all pretty average material from a group that has done much better. If there is one thing that is remotely accurate with Nostradamus, it is that he predicted this band is at the end of their run. Time to retire boys.


Album Rating: 5/10

[Northman]

Origin- Antithesis (2008)

Origin
Band hails from Topeka, Kansas. Formed in 1997.

http://aycu25.webshots.com/image/46424/2000710485001434261_rs.jpg



Members
James Lee- Vocals
Paul Ryan- Guitar, Vocals
Jeremy Turner- Guitar
Mike Flores- Bass, Vocals
John Longstreth, Drums

Style
Technical Death Metal

Track list
1. The Aftermath 04:39
2. Algorithm 03:32
3. Consuming Misery 04:06
4. Wrath of Vishnu 04:44
5. Finite 03:08
6. The Appalling 02:55
7. Void 00:40
8. Ubiquitous 05:34
9. The Beyond Within 03:20
10. Antithesis 09:32


Highlights
Although i have a couple of previous albums from this band i really have never sat down and given them a full and fair listen. More of drive by earful but decided to give this 4th opus a full listen. Not totally unusual with this band the music is driving and blistering technical death metal at its best. I was also unaware that there are actually 3 singers in this band which is pretty damn cool. Unlike the previous 3 albums this one seems to be more focused this time around even adding some melody in which is a huge step for them but comes out strong on the record. The musicianship is exceptional with fantastic drumming and guitar attack of Ryan and Turner with some phenomenal sweeping and riff arrangements. When it comes to making quality TDM these guys get it and are unrelentless in their campaign to conquer this carcass called earth. Some of the great highlights on here are "The Aftermath", "Antithesis", "Wrath of Vishnu", and "The Beyond Within". The fact that the band takes the extra time this round to make the songs a bit longer helps them tremendously. Whereas before you would miss the album if you sneezed which was a shame, but not this time. The speed and intensity is amazing and only continues to impress me as to the brutality that these guys can deliver.

Problems
None. For once i can appreciate this band as a whole and love every minute of this release.

Final Thought
This is a great band and for longtime fans they will truly enjoy this release probably more so than the previous records. For new fans especially into technical death metal this is a album you have to check out. Its that good. I saw a review a guy made making a statement like "If only Slipknot could play like this they would be good!". Im like what? Are you crazy? Dont be stupid. Now, if the guys from Slipknot wanted to be roadies im sure the guys from Origin would be ok with that. But lets try to stay off the crack when trying to even put these bands in the same sentence. Mmmmkay?

[Northman]

Arghoslent- Hornets of the Pogrom (2008)

Origin
Band actually hails close to my neighborhood from Oakton, Va.

http://img354.imageshack.us/img354/1809/pogromzf8.jpg


Members
The Genocider- Vocals
Pogrom- Guitars
Holocaustso- Guitars

Style
Death/Thrash


Tracklist
1. In Coffles They Were Led (5:40)
2. Swill of the Knaves (4:59)
3. Menacled Freightage (6:35)
4. The Nubian Archer (7:12)
5. Oracle of Malefic Rhizom (5:54)
6. Dog and Broom (5:33)
7. Hornets of the Pogrom (7:01)
8. The Grenadier (5:34)


Highlights
Having been introduced to this band by my good friend Dane i somewhat knew what to expect from this new record. However, even with that they have managed to blow me away never quite like this. They have always managed to incorporate heavy thrash elements into their blistering death metal sound. Unrelentless, Punishing, and at times even somewhat melodic. Considering this is the newest full length since 2002 i have to say they have done a fantastic job considering the time between albums. For diehard fans this is totally worth the wait. Lyrically they are all over dealing with themes such as history, violence, and at times even racialism. But with all that said dont let their ideologies sway you from enjoying this thunderous album. In the wake of some pretty decent thrash and death releases this is right up there with me so far in 2008. Unlike most death metal bands in today's era Arghoslent doesnt incorporate egyptian melodies or any gothenberg style riffs that seems to be the fad of today's death metal scene.

By that same token it doesnt overly lull you to sleep or become boring with the deep pummeling guitar or drum sound of some of the standard death metal bands today. Instead, they keep it fast paced with a thrash arrangement without making it too obvious. Some of my favorite tracks off the album are "In Coffles They Were Lead", "Manacled Freightage", "The Nubian Archer", "Dog and Broom", and "Hornets of the Pogrom". The music arrangements and chemistry is perfect for what this band is trying to achieve. Vocally it is well done without overpowering the music and vise-versa. The song structure is unique in its own right and at some points on this record almost showcases technicality and progression without stepping overbounds. Despite all the controversey regarding their ideologies this is a band worth checking out. Most of their racial content is directed at historical aspects throughout history rather than say "F that N!" which is not how they write lyrically. It is much more subtle and not the only principle in which they believe.

Problems
Obviously, if your greatly offended by racialism on any level than this may not be the band for you. But i do want to point out that it is far more subtle than the band gets credit for and is generally spoken in a historical text. Not too mention the music far outcrys some of their lyrical content.

Final Thought
At the end of the day i love what Arghoslent has done on this record. For those who may have found the latest Death Angel release to be appealing this album absolutely crushes it as if someone was stepping on your larynx. Giving everything this band puts into their music it far outweighs some of other areas that may or may not be suitable to your ears. At the end of the day, you make the call but i highly recommend this release on the musical standards alone. In today's day and age its up to the listener to distinguish and determine what they get out of a musical release as the metal frontier is growing rapidly and crossing over in many territories both musically and lyrically.

[Northman]

Wykked Wytch- Memories of a Dying Whore (2008)


Origin
Band hails from Miami, Fl.

http://www4.picfront.org/picture/stEYc5ZO/img/WykkedWytch-MemoriesofADyingWhore.jpg

Members
Ipek- Vocals
Gio Geraca- Guitars
Sean Young- Guitars
Lenny- Bass
Salvatore LoPresti- Keyboards
John Rae- Drums

Style
Symphonic Black Metal

Tracklist
1. Memories Of A Dying Whore (5:46)
2. Desperation (5:18)
3. Bloodstained Tears (6:02)
4. Awakened (5:17)
5. Suffering Through The Years (5:11)
6. Wishing Sickness (4:36)
7. Sweet Dreams (4:23)
8. Plagued By Delusions (2:43)
9. Shroud In Ash (7:47)
10. Beneath Our Skin (5:46)
11. Untitled (1:30)


Highlights
Wow! What a sweet surprise. I saw this album because of the excellent artwork but wasnt sure what to expect behind it. And boy, the brutality and execution of musical genius on this album is mind blowing to say the least. Nothing but total ferocity and anger sugar coated with some great keyboard atomsphere and symphonies. American has made a name for themselves in recent years with some great black metal bands but Wykked Wytch doesnt even sound american as they have a very traditional black metal sound. With some great solo work and down right screeching/growls from female vocalist Ipek. Think of what Dani Filth does only ten times better and without the high shrieks. The band at times sounds similiar to Arkhon Infaustus but only in certain elements. There is some top notch melodies and precision being played on this record.

This is the bands 4th opus and although i have not heard previous albums i may have to give them a listen. Some really great tracks on this record include "Memories of a Dying Whore", "Bloodstained Tears", "Awakened", "Suffering Through the Years", and "Shroud in Ash". There is even a blistering cover of "Sweet Dreams" on here. Far more demonic, hellish, and evil than the Manson version. For those who are enjoying the latest Veneficum release you will most certainly like what is being done on this record as well. The keyboard work is exceptional and flows very well with the outright aggressiveness of the hammering drums and guitars. The production is top notch and suits the band perfectly for the sound they are trying to portray. Some of the songs feature some great sound clips from various movies (i always like that) which gives the music its own identity.

Problems
None

Final Thought
Overall im quite pleased and surprised that a band like this can come out of America but i shouldnt be. America has caught up to the European metal scenes in the last decade in terms of quality bands and music. Ive seen that this band is/was labeled a goth metal band but there is no way that is true, at least by this record. Wykked Wytch have put out a masterpiece by their own right and have Filth and boys wetting themselves right about now. WW is doing SBM the way its meant to be played.

[Northman]

Summoning- Stronghold (1999)


Origin
Austria

http://www.spirit-of-metal.com/les%20goupes/S/Summoning/Stronghold/Stronghold.jpg

Members
Protector- Vocals, Keyboards, Guitars
Silenius- Vocals, Keyboards

Style
Atomspheric Black Metal

Track Listing
1. Rhun
2. Long Lost To Where No Pathway Goes
3. The Glory Disappears
4. Like Some Snow White Marble Eyes
5. Where Hope And Daylight Die
6. The Rotting Horse On The Deadly Ground
7. The Shadow Lies Frozen On The Hills
8. The Loud Music Of The Sky
9. A Distant Flame Before The Sun

Highlights
Epic....what does it mean? How does one define something Epic? For me, its albums like "Stronghold". The emotional awareness and spiritual touch that these two individuals bring to the table is both inspiring and thought provoking. Their ability to create imagery based on the writings of Tolkien is one of the best ive ever heard. Easily the best track on the album "Long Lost to Where no Pathway Goes" is fantastic with some bleak and mournful keyboard playing along side solemn guitar riffing. The emotional despair on this album is deep and well constructed both lyrically and musicianship wise. Some of the greatest tracks on here are "Long Lost to Where No Pathway Goes", "The Glory Disappears", Like Some Snow White Marble Eyes", and "The Shadow Lies Frozen on the Hills" and those are just the best on a already great album.

Protector and Silenius use primarily the keyboards to convey their creative genius but do add the guitars and drums to good effect but without overpowering the atomspheric keyboards. There is just a overall sense of tragedy and triumph throughout this record that words simply cant explain it. There is just a right blend of texture and grimness layered with outstanding conceptual mechanics and undulating ambience. Everything works with expert cohesion and harmony throughout the album. There is also a nice added touch of female vocals at various moments to add to the overall feel.

Some people have heard me describe other albums as soundscape-esque, well Summoning is the band that set the template for me and this was the album of all albums with that feel. And although they use a drum machine it isnt set to one particular type of drumming. Oh no, they add different styles and arrangements which works beautifully with what they are trying to achieve here. Each song is so dynamic in their own right that both these gentlemen have allowed each song to tell its own story never becoming boring or repetitive. The extravagant and grandeur of this record cannot be matched even in this day and age. Sure, some come close but fall quite short of acheiveing the magnatude of what Summoning have created here.

Problems
Your kidding right?

Final Thought
From the dreariness of the beginning to the grand conclusion you feel like you have just completed a fantastic journey and have overcome all that had stood in your way as a human being. No, this is not your typical black metal and no its not your typical symphonic black metal. What it is and what it will do is make you look deep within yourself to find that inner warrior facing the ongoing battle and help decipher what it is your looking for in this game called life. The music helps you explore the deep ends of your soul and give you the courage to lay waste to all that is in your path. This album will captivate you in a way that almost no other album can, "Stronghold" is a masterpiece with tranquill beauty and glory.

[Northman]

Savatage- Streets: A Rock Opera (1991)


Origin
Tampa, FL USA

http://www.geocities.com/SoHo/Studios/2786/savatagestreetssm.jpg

Members
Jon Oliva- Vocals, Keyboards, Piano
Criss Oliva- Guitar
Johnny Lee Middleton- Bass
Steve Wacholz- Drums

Style
Heavy Metal

Track Listing
1.) Streets 6:50
2.) Jesus Saves 5:13
3.) Tonight He Grins Again 3:28
4.) Strange Reality 4:56
5.) A Little Too Far 3:25
6.) You're Alive 1:51
7.) Sammy And Tex 3:07
8.) St. Patrick's 4:17
9.) Can You Hear Me Now 5:11
10.)New York City Don't Mean Nothing 4:01
11.)Ghost In The Ruins 5:32
12.)If I Go Away 5:17
13.)Agony And Ecstasy 3:33
14.)Heal My Soul 2:35
15.)Somewhere In Time 3:17
16.)Believe 5:42

Highlight
Although i have been a longtime Savatage fan this particular album was never one of my favorites so this review may or may not be overly positive. But one thing i have noticed at the onset is as time has progressed since i bought this album i have progressed as well as a listener. And even though the album is sub-titled a "Rock Opera" it really isnt the case here. But, with that said music at times does come across as a musical depending on the artist. Listening to the song "Jesus Saves" i have a new found appreciation for what Savatage was trying to create so long ago with this record. The song reminds me a lot in terms of feel and composition with that of "Bad Devil" from Townsends' "Infinity" album. Even the title track has some merit and appeal now than it did from the beginning for me. The best song on the album then and even now is "Strange Reality". This is the sound and aggression one would expect from this band.

This album is a concept album with some strong emotion and balance. The story-telling is consistent with memorable progression. Obviously, this type of record is a step away from the norm and is much more melodic then the masterpiece "Hall of the Mountain King". But it does add another and much deeper dimension for this band. When you get to the track "You're Alive" you get a very similar feeling that you would when you listen to The Who's "Tommy" opus. Its a very upbeat and rocking tune although it falls just under 2 minutes timewise much to my chagrin. Amazingly, this record has stood the test of time and doesnt sound outdated.

It seems that they have taken what they did with Gutter Ballet and extended and morphed it into what we have here. The musicianship is amazing and top notch as one would expect from this band. Criss Oliva's (RIP) guitar work is fabulous and outstanding as usual. The blend of piano pieces, melodic guitars, mezmerizing keyboards, adequate drums and bass, and somewhat restrained vocal work by Jon come together very nicely on here. Fans of bands like Queensryche, Pink Floyd, and The Who will enjoy this record as it creates a great atomsphere and is well written. The Hauntingly "Can You Hear Me Now" encompasses the many different feelings found throughout this album. I think i may have found yet another favorite on this record. My how times have changed, which i owe a lot to my wife for broadening my senses when it comes to "musical" type arrangements. I would also have to give Blaise a mount of respect and admiration for pushing me to review listen to this album again.

Final Thought
I guess there is truth to the fact that sometimes you have to listen to an album even after some time to truly understand it. Back in 91' it was all about the straight forward metal playing that i longed for. I never knew how to appreciate an album that dared to defy or expand one's senses musically. I like to think that i continue to grow not only as a music fan but as a human being when i can re-discover hidden gems such as this. While i doubt that this will get continous play on a regular basis i have no doubt that it will continue to be a personal favorite to pull out of the bin from time to time without losing any appreciation for it. This also once again proves that this particular band was way ahead of its time when it was at its strongest. I guess its time to re-evaluate "The Wake of Magellan" again and see what else i have managed to miss as the years have passed.

[Northman]

Mastodon- Blood Mountain (2006)


Origin
Band hails from Atlanta, GA. USA

http://www.stereokiller.com/media/coverart/202383-0-300-0-300.jpg

Members
Troy Sanders- Bass & Vocals
Brent Hinds- Guitar, Vocals
Bill Kelliher- Guitar
Brann Dailor- Drums

Style
Progressive/Doom Metal

Track Listing
01. The Wolf is Loose
02. Crystal Skull
03. The Sleeping Giant
04. Capillarian Crest
05. Circle Of The Cysquatch
06. Bladecatcher
07. The Colony Of Birchmen
08. Hunters Of The Sky
09. Hand Of Stone
10. This Mortal Soil
11. The Siberian Divide
12. Pendulous Skin

Highlights
If there is one band in this day and age of the so-called "new breed" of metal Mastodon are the ones who will be controlling the throne. Musically they throw everything at you that they can possibly muster. It can be melodic, bludgeoning, and extremely versatile in all aspects. This record being their 3rd full length will be the epitome of modern era "classics" that weaves all the best parts of heavy metal. Some of the best tracks on this record are "Sleeping Giant", "Capillarian Crest", "Circle Cysquatch", "Hunters of the Sky", and "This Mortal Soil".

Combining influences all over the grid from bands like Black Sabbath, Rush, Iron Maiden, and even a touch of Zeppelin all the while incorporating it with new age heavy metal with a touch of southern rock. They have created an exceptional and innovative album of the new millenia. To date this is some of the most complex music ever written by this band. Mastodon have proven with this record that their cohesion as a band is at the top of its game. Vocally Sanders and Hinds have taken a more shouted and clean approach to this record instead of the grunts which still find their way onto this record just not on a consistent basis. The riffs are excellently executed and flawless and overall sound is mixed very well on here. Funny thing about this record is right when you think you have figured it out they throw something else at you and totally blindside you with even more surprises musically.

Musically they just get it as their chemistry is superb with great guitar crunch with a jazz and classical aura. Dailor's drumming is again top notch and provides some great fills and technicality. And of course Sanders bashing the bass for good measure while encompassing his own style and versatility completes the uniqueness of this quartet. With "Blood Mountain" Mastodon have managed to create a solid contribution to the ever evolving metal scene and this record captures the enigma and essence of the great many emotions one would seek in metal music. With this record it continues to entrance me on so many levels. Every element that the band adds to this record is just one more step away from the first two albums and has shown just how much this band has grown in such a short time span.

Problems
If there was to be any negative impact from this record (lord knows i cant find any) but some have said it to be repetitive and rehashed over and over again. Personally, i dont see it.

Final Thought
This album flows brillantly with each song perfectly executed and blending together on a musical journey that will have been transcending many dimensions both physically and spiritually. What bands like Sabbath and Rush started Mastodon seem determined to finish sparking the new era of progressive metal. The melody and vibe on "Blood Mountain" is absolute bliss and astonishingly epic in every aspect. My only fear for their future is i dont know if they can top this achievement as they really have created one of the best albums of this decade. Time will tell i guess and we certainly have a lot to look forward too.

[Northman]

Sigh- Hangman's Hymn (2007)


Origin
Tokyo, Japan

http://www.blackmetal.com/scans0707/sigh_hang.jpg

Members
Mirai Kawashima- Vocals, Bass, Keyboards
Shinichi Ishikawa- Guitar
Satsoshit Fujinami- Bass
Junichi Harashima- Drums
Mikannibal- Saxophone, Vocals (backing)

Style
Avant-Garde Black Metal

Track Listing
Act 1
01. Introitus / Kyrie
02. Inked in Blood
03. Me-Devil

Act 2
04. Dies Irae / The Master Malice
05. The Memories as a Sinner
06. Death With Dishonor
07. In Devil's Arms

Act 3
08. Overture / Rex Tremendae / I Saw The World's End
09. Salvation in Flame / Confutatis
10. Finale: Hangman's Hymn / In Paradisum / Das Ende

Highlights
Having followed this band from its roots it was of no surprise that they would have progressed to the level that they have. Since the recent rise of the extradinary black metal band Chthonic from Taiwan many would think that they were the top dogs of oriental black metal. Not so as Sigh have laid the groundwork for years with their ground breaking music. This band brings some very interesting elements into their music which creates a truly bizarre soundscape and symphonic compositions. But, it is all setup nicely and everything is distinguishable on every level with not clutter in the arrangements. Despite adding great atomsphere and melody the aggression is relentless and undaunting. The musicianship on "Hangman's Hymn" is top notch with riffs and solo's nothing short of amazing and astounding.

Some of the interludes and intros have a nice classical element touch to them whereas the music itself adds both symphonic and 80's thrash elements to their persona. Lyrically, its right up there with the mighty King Diamond as this is some of the best concept work ive seen and heard in a long while. Production wise it is perfect without any unecessary clutter or reverb. Every song is molded by enhancing all the elements the create and woven together flawlessly. Adding eerie laughs and atomspheric chants throughout the record only propels the album to a whole other level musically. For some it might take more than one listen to fully appreciate the overall complexity of what Sigh is trying to achieve with this record.


But for those who know of this band this is without a doubt their finest hour and they have delivered a bone crushing record at every level. With groove and melodic riffs that paralyzes the listener with utter awe, the explosive and intense measure of this record is both haunting and suffocating. Some of the best material on here are "Introitus/Kyrie", "Me-Devil", "Dies Irae/The Master Malice", and "Overture/Rex Tremendae". Sigh definitely bring their own brand of uniqueness and innovation to the table. The band has once again totally outdone themselves with triumphant musicianship, awesome symphonic chemistry, and venomous vocal deliveries. If you like black metal with a more diverse and versatile approach then this is a record you MUST check out. The dynamics and arrangements are engulfing on every level and never lose focus throughout the record.

Problems
None

Final Thought
This is one of those albums that will always keep your attention and begging for more. I has a interesting blend of elements that push every boundary musically without falling flat. This opus is one for every metal head to own even if your not a diehard black metal fan. It has a little bit for everyone as it is utterly mind-blowing and a landmark for the band. Its nice that a band like this can create a masterpiece and yet at the same time be totally original as well. This record fully engages the listener and connects to them in a unique fascinating way. Their creativity and specific musical trait is what sets them apart from a great many other metal bands.

[Northman]

Testament- The Formation of Damnation (2008)


Origin
Formed in 1986 in Oakland, California. Known as one of the original bay area thrashers.

http://metalarea.org/images/audiocovers/2008_Apr/acov_tid45768_thumb.jpg

Members
Chuck Billy- Vocals
Eric Peterson- Guitars
Alex Skolnick- Guitars
Greg Christian- Bass
Paul Bostaph- Drums

Style
Thrash Metal

Track Listing
01 - For The Glory Of - 1:12
02 - More Than Meets The Eye - 4:31
03 - The Evil Has Landed - 4:42
04 - Formation Of Damnation - 5:09
05 - Dangers Of The Faithless - 5:47
06 - The Persecuted Won't Forget - 5:49
07 - Henchman - 4:00
08 - Killing Season - 4:52
09 - Afterlife - 4:13
10 - F.E.A.R. - 4:46
11 - Leave Me Forever - 4:28


Highlights
Finally......i have a chance to hear their new record. It seems like ages since this band released a new record. Oh wait, it has but they have legitimate reasons Chuck's health just one of them. So here we are with "The Formation of Damnation" the brand new record from one of my favorite long standing thrash metal bands. After a intro featuring great guitar solo work we kick into high gear with "More than Meets the Eye" a nice punchy song and some quality thrash with even better outstanding solo work. Skolnick and Peterson are far better now than they have ever been but time will do that to a musician. The next track "The Evil has Landed" continues the brutal thrash attack with Chuck's vocal's more steady and focused than ever. The overall sound is very retro feeling dating back to the first 3 albums which is a great surprise. Bostaph who is filling in the role for an absent Clemente is fabulous. Why this guy doesnt get more credit as a drummer is beyond me but he is outstanding here.

The title track "The Formation of Damnation" is a blistering thunder of a song with crushing riffs and harmonic verses. Did i mention how great the solo's are? I cant get enough of them. This album is so devastating its truly beyond words. This is their best work since "The New Order" hands down. And i even enjoyed some of the later albums but this is OLD SCHOOL mother******s. Even though Death Angel's new album is great Testament just owned them again with this record. Despite the absence of some of these members you can tell exactly why the chemistry of this band (any band) is important. They havent missed a beat with each other and it speaks volumes here. Gone are the thoughts of branching out or trying new things,

Testament got back to doing what they do best. And that is creating great melodies, fantastic thrash riffs, and outstanding vocal harmonies. Songs like "The Persecuted Won't Forget" is some of the fastest shit ive heard in a long time. These guys must of found the fountain of youth because i have barely heard today's thrash bands sound this fast. If there is one thing i need before this year is out is I MUST SEE THEM LIVE AGAIN! This material in a live enviroment is going to ******* slay! Every song on here is abusive to the listener and is just unrelenting song after song. For those who love and adore the days of yore with this band this is a must pickup for you this year. Even if you buy only one cd IT MUST BE THIS RECORD!

Problems
NONE

Final Thought
What can i possibly say that hasnt already been said? This is Testament at their finest. The wait has been forever but well worth it. You heard it here first, this is the ALBUM OF THE YEAR. Hands down! And there are a lot of great records i have heard this year but nothing compares to this album. Prepare yourselves, Damnation is Forming and its name is TESTAMENT bitches!

[Northman]

Death Angel- Killing Season (2008)


Origins
Formed in 1982 from San Francisco, CA.

http://www.spirit-of-metal.com/les%20goupes/D/Death%20Angel/Killing%20Season/Killing%20Season.jpg


Members
Mark Osegueda- Vocals
Ted Aguilar- Guitars
Rob Cavestany- Guitars
Dennis Page- Bass
Andy Galeon- Drums

Style
Thrash

Highlights
I had some reservations coming into this album because of the lackluster and uninspired performance of the last album "The Art of Dying". But, with the starting track off of the new opus "Killing Season" it showed much more promise. The opening track "Lord of Hate" returns the furious glory of what these guys had carved into the scene back in the 80's. Back is the thrash and energetic riffs that had been sorely missed on the last record. The next track "Sonic Beatdown" does exactly that as it keeps up the thrash onslaught. My god, its great to hear these boys having fun again! The solo work on this album is top notch and right on the money.

The song "Dethroned" starts out with a nice acoustic touch before jumping into the heavy riffs and blasting drum beats. Mark's vocals are smooth and flow very nicely on this album. The band just seems to have more direction this time around and have found the source of inspiration that they had on the first 3 records. Other great tracks on this record include "Buried Alive", "The Noose", "When Worlds Collide", and "Resurrection Machine". Hell, the whole album captures the magic this band had back in their hey day. It wouldnt be a stretch to say this is their best album since "Frolic through the Park". For once in their storied history i feel that Death Angel have finally made a complete record where every song is worthy of merit on its own.

Problems
Not a damn thing.

Final Thought
Im completely enamored by what they have accomplished on this record. This could very easily go down as one of the best albums of the year but its still early. Never the less, if your a fan of the band or just in thrash in general you need to own this record. Its a breath of fresh to know that they havent forgotten the roots of true pure thrash. Major kudos to Death Angel for gracing us with another fine album.

[Northman]

Vader- Sothis (1994)


Origin
Poland

http://mtv-content.vcommerce.com/products/709/8430709/main-205.jpg

Members
Piotr Wiwczarek- Vocals, Guitars
Maurycy Stefanowicz- Guitars
Marcin Nowak- Bass
Darek Brzozowskit- Drums

Style
Death Metal

Tracklist
1. Hymn To The Ancient Ones
2. Sothis
3. De Profundis
4. Vision And The Voice
5. The Wrath
6. R'Lyeh
7. Black Sabbath (Black Sabbath Cover)


Highlights
Already i sense a problem with this album apart from the others. PRODUCTION. I just dont feel it, and although the music isnt bad, its not stellar which is odd because usually its the older material of bands that stands out more. But in this case it cant hold my attention nor get my blood flowing like their later releases such as Litany, Revelations, or Impressions of Blood. The other problem with Sothis is it has 7 tracks listed but 3 of them are under 2 minutes in length. Granted, its an EP but why even bother putting up the other 3? To further complicate things, Vader decided that it wanted to do a cover of Sabbath's "Black Sabbath". What the **** were they thinking? Not only is it out of the band's element but its a absolutely boring and a unimaginative cover version. This was just a very disappointing output by these polish kings of mayhem.

Problems
The obvious problem on this album isnt the music itself. Its the production quality and the music cant save it. There is just no Ooomph to the music that is created. The songs are easily forgettable and with 3 songs that are basically intro's it would be a waste of time and money to purchase this record. Plus, with the amount of songs on there they would probably charge you the full price of an album anyway.

Final Thought
Your best bet here is too just pick up the other records which includes some of these songs but with better quality sound and production. Its a shame that such a fantastic band decided to release this turd of a record and then on top of it not put any serious thought or production behind it. True, this EP was released early in their career but this is a perfect example of needing "quality" and not "quantity".

[Northman]

Aborted- The Archaic Abattoir (2005)


Origin
Belgium

http://www.spirit-of-metal.com/les%20goupes/A/Aborted/The%20Archaic%20Abattoir/The%20Archaic%20Abattoir.jpg

Members
Fre - Bass
Gilles - Drums
Svencho - Vocals
Gurgloroth - Guitars
Bart - Guitars

Style
Death Metal

Tracklist
1. Dead Wreckoning
2. Blood Fixing The Bled
3. Gestated Rabidity
4. Hecatomb
5. The Gangrenous Epitaph
6. The Inertia
7. A Cold Logistic Slaughter
8. Threading On Vermillion Deception
9. Voracious Haemoglobinic Syndrome
10. Descend To Extirpation


Highlights
This is a fun album, and because its so good it is in my top 100 albums of alltime and is surely a top 10 record. This is death metal at its finest with tons of brutality and monolithic musicianship. The production on this album is great with excellent clarity of the all the instruments involved. There is an obvious Carcass influence on this record not just with the sick lyrical content but also with the outstanding guitar work presented here. The leads and soloing seems to just come out of nowhere but it actually gives the music an added dimension which propels this album from ordinary death metal to balls to the wall technical and artistic sonic domination. Top tracks include "Dead Wreckoning", "Gestated Rabidity", "The Inertia", and "Threading On Vermillion Deception" (my personal favorite).

This band has come a long way from their initial releases even though back then they were highly regarded as one of the best bands out on the market even then. They've added more technicality and have enriched their music further since their inception. They have furthered the boundaries when it comes to extreme death metal using heavy riffs and groove oriented combinations transcending a lot of bands while kicking ass and taking names. As a whole this group has advanced to another level with this record and are not afraid to experiment which give them an added versatility to go along with an already brutal sound. With great searing vocals, excellent guitar work, and bone crushing drum work Aborted have given you a glimpse of what is too come for the band. At the end of the day you can call it grindcore or just straight up death metal. It doesnt matter, this shit is sick, gory, and twisted and Aborted have severed the ties to themselves from the rest of crowd

Problems
The Archaic Abattoir is a step away from the prior records from this band in the sense that they have added a melodic touch with a almost metalcorish sound. So it may turn off some fans who do not care or have grown tired of the melodeath movement. But those moments are small and in between some truly great death metal.

Final Thought
There is just so much to love about this record, its got everything. Its got great musicianship, blood curdling vocals, and downright catchy songs. There are so many great elements throughout this record that there is just no way even the most diehard of death metal fan cannot enjoy. When Aborted first jumped on the scene they have gotten the reputation of being nothing but a Carcass clone, now they have taken what Carcass had started and and further refined the sound and technicality but with advanced it with more heaviness and technique. Even as i write this their follow-up can not hold a candle to this record. This is and was the defining moment for this band and it is a must for any serious death metal fan.

[Northman]

Outworld- Outworld (2006)


Origin
Houston, Texas

http://outworldband.com/rusty/outworld.jpg

Members
Vocals: Kelly Sundown Carpenter
Guitars: Rusty Cooley
Bass: Shawn Kasack
Drums: Matt Mckenna
Keyboards: Bobby Williamson

Style
Progressive/Power Metal

Tracklist
01. Raise Hell
02. Riders
03. Warcry
04. Outworld
05. City Of The Dead
06. The Never
07. Prelude To Madness
08. The Grey Tide
09. I Thanatos

Highlights
Its not often that i try to take on and review a power metal album as that just isnt my biggest area of interest. But this one has some progression with it and i can actually connect emotionally with it. This album features some pretty aggressive and groove laden riffs with a classic touch of simple progressive melodies. It doesnt get overly complex like straight forward progressive bands. Musically the band is sound with some excellent guitar work and fabulous keyboards. Vocally, its top notch with high clean vocal arrangements with some varying low key stuff here and there. It is important to take note that although Carpenter sounds great on the record he is no longer with the band being replaced by Carlos Zema who i understand it equally as good if not better.

I really havent heard this good of guitar playing since Petrucci when it comes to progressive styled guitar playing. Cooley is someone that prog fans should take notice of. In this day and age its easy to stereotype prog metal as being too over the top and pretentious. But Outworld steers clear of all that nonsense but keeping it all in check and making the music blend and flow like a deep blue waterfall. Some of my favorite tracks on this record are "Hell Raise", "Warcry", "City of the Dead", "The Never", "I Thanatos", and "Polar". This is definitely by far one of my favorite debuts by a progressive/power metal band. The musicians have great control and command of their instruments and they never conflict with one another as their chemistry is quite amazing. The combination in which they have created with the music here is outstanding and makes it easy for even non-prog fans to like.

Problems
None, some really blending of styles with top notch aggression.

Final Thought
This album is great for fans who like bands like Symphorce, with a dab of Symphony X and Into Eternity. If your someone who finds bands like Dream Theater a little to boring and over the top than definitely check out Outworld as they mix it up far more with much, much more aggression while still adding some great progressive musicianship. Even if your a diehard prog fan this is a must record for your collection as this band absolutely shines on this debut.

[Northman]

Textures- Silhouettes (2008)

Origin
Netherlands

http://www.listenable.net/v2/_img/album_img/textsilbig.jpg

Members
Eric Kalsbeek- Vocals
Jochem Jacobs- Guitars
Bart Hennephof- Guitars
Remko Tielemans- Bass
Stef Broks- Drums
Richard Rietdijk- Keyboards


Style
Progressive Deathcore/Thrash Metal

Tracklist
01. Old Days Born Anew
02. The Sun's Architect
03. Awake
04. Laments of an Icarus
05. One Eye for a Thousand
06. State of Disobedience
07. Storm Warning
08. Messengers
09. To Erase a Lifetime

Highlights
After falling in love with their last opus "Drawing Circles" i couldnt wait to hear this new release. Their past effort has easily made my top 100 albums of alltime so to see how far they have come from that moment is exciting. Blending progressive compositions with a death/thrash element they create some of the best music in this genre. So here we are with "Silhouettes" which kicks off where the last album left off. The first track "Old Days Born Anew" shares a lot of the same progressions and musical arrangements that i fell in love with from the last record. Somehow this band sounds somewhat like Devin Townsend's solo efforts but with a crunchier guitar sound. And obviously the vocals are heavier although they do incorporate some nice clean vocal harmonies.

As a band they are musically sound and on point. The chemistry is great and all the instruments work together beautifully. At the 2:30 mark of the second track "The Sun's Architect" there is a nice melodic interlude with some great harmonic vocal work that matches the excellent keyboard arrangement before exploding back into the heavy guitar and drum work. The flow of the album is top notch without any uneasy moments. All the tempos are dynamic and work very well with the progression of the music laid out before you.

The one difference that this band sort of lacks is some great solo work. But it doesnt hurt the music much here and is still very enjoyable to listen too. And even though they are a progressive band the music isnt overly technical as it probably could be but again, they found a niche that works for them and it doesnt hurt the overall sound.Aside from the first two tracks some other great moments on "Silhouettes" is songs like "One Eye for a Thousand", "Storm Warning", and "To Erase a Lifetime". This album follows suit to what "Drawing Circles" laid out and although i dont think its quite as good as DC i still find it pretty enjoyable.

Problems
I still dont like the lack of solos these guys dont incorporate into their music. I think it would bring a lot of extra spice to the mix and they certainly could take some lessons from Mastodon on how to use that element.

Final Thought
For fans of Devin's solo efforts like "Accelerated Evolution" and "Terria" some people will find this a really enjoyable album. It has some really nice moments on it and certainly worth a listen. Not quite a perfect album but if you like progressive music with some bite than give this a spin. They still havent found their "Blood Mountain" yet but they are getting there.

[Northman]

Depressed Mode- Ghosts of Devotion (2007)


Origin
Finland

http://www.metalkingdom.net/album/img/d18/12417.jpg


Members
Ossy Salonen - Vocals, Synth, Programming
Natalie Koskinen - Vocals
Tamppa Turpeinen - Guitars, Bass
Marko Tommila - Drums
Jori Haukio - Cello, programming
Marissa Marjamaki - Backing Vocals
Jani Lamminpaa - Bass

Style[/]b
Doom Metal

[b]Tracklist
1. Alone
2. So Long
3. Words Of Silence
4. Suffer In Darkness
5. Ghosts Of Devotion
6. The Sun Is Dead
7. Fallen Angel
8. Dunkelheit
9. Cold


Highlights
I have to say after taking some time to browse my goods and get around to finally listening to some of my music that i havent gotten around too i have found a hidden gem in Depressed Mode's "Ghosts of Devotion". Although formed in 2005 this is the first ive heard of them and evidently this album features female vocalist Natalie Koskinen who i am familiar with seeing she also is in Shape of Despair which is another excellent band. For the most part this is your standard styled doom metal but they manage to add some excellent keyboard elements into the mix which comes out quite beautiful and tranquil, almost hypnotic. But no worries, it doesnt affect the heaviness and dread that is also incorporated into the music. Singer Salonen is the primary singer, crushing the air with his deathly growl while Koskinen adds her ghostly serenades.

Some of the more outstanding tracks on here are "Alone", "Suffer in Darkness", "Ghosts of Devotion", "The Sun is Dead", and a excellent cover of Burzum's "Dunkelheit". This album just reaks of dreariness and disdain. The bleak album artwork is just a taste of what this album has to offer. While ive read that some think that the female vocals weren't used enough i disagree. I think it is done just right without overdoing it. The nature of this album is very atomspheric almost in a funeral doom-esque approach. For me, this record brings a lot more to the table than your standard doom metal as it touches in a lot of different areas from progressive to an almost ambient touch. It definitely is a record that you can lose yourself in as your being enveloped into another dimension alltogether. If your looking for a record that gives you a sense of pessimism and utter despair than give this a spin to please your soul.

Problems
For some this may just be a another standard doom metal album and maybe it is. But as ive mentioned a hundred times there are so many bands out there that you have to kind of pick and choose which ones you fancy best.

Final Thought
This is one splendid and beautiful album. This is the great thing about all this extra time i have, i can go through and actually have a chance to listen to some of these records. If your a doom kind of person i highly recommend this record. Somehow it got passed by the first time but not now, now its going into my ipod for constant spinage.

[Northman]

Old Man's Child- The Pagan Prosperity (1997)


Origin
Hails from Norway, formed in 1993

http://www.gotterdammerung.org/music/reviews/old-mans-child/old-mans-child.pagan-prosperity.jpg

Members
Galder- Guitars, Bass, Vocals, Synth
Reno Kiilerich- Session Drummer

Style
Symphonic Black Metal

Highlights
I cant even begin to tell you how much i love this record. I knew it right when i saw the album cover. Much better packaging than the debut with far better artwork. But we all know that cover art doesnt always tell the tale of an album dont we? But in this case it does say a lot as this album is exceptional. Both with song writing, execution, production, and arrangements. Every instrument is heard with nothing overdoing the other. The keyboard piece towards the middle and end of the first track "The Millennium King" is not only atomspheric but beautiful in its own right. But all this is enveloped by the aggressive guitars and blast beat drums surrounding it. One of the best openers i can ever remember hearing. Every song flows into the other and nothing becomes overdone or too long. There is just a perfect mixture and perfection on these compositions thoughout the album.

And for those who have followed this band throughout their history this album is actually a far cry from both the debut and the albums that followed later. This is truly a masterpiece in its own right and Galder should get far more respect and admiration than he does in this genre. As much as i like Dimmu Borgir nothing they can do as a team can compare to what Galder does on his own. He is a craftsman true metal genius. The wonderful thing about this album is how it can incorporate a little of thrash, symphony, and raw black carnage into entire album. Some of my favorite tracks on here are "The Millennium King", "My Demonic Figures", "Return of the Night Creatures", and "What Malice Embraced". What sets this album apart so much is how Galder branched out from the typical stigma of typical black metal. The fact that he can combine the melodies and harmonizing sounds that he has is outstanding. Let us not forget this is when Galder decided to take over vocal duties as well and it has paid dividends.

Problems
Nothing i can really think of. If i had to nitpick i guess i would say the production but i actually quite enjoy how it was produced on this record. Its not as overwhelming like it is on the latter releases which gives it its uniqueness.

Final Thought
If i had to define this album for OMC i would say this is their crowning achievement. It set the tone and standard for the future releases of this band and really was never matched. I enjoy some of the later albums but none of them can touch my soul or cerebrum quite like "Pagan". For those who know me, i dont generally write reviews just for the hell of it. I pick albums that i really like or that i find very interesting and this situation is no different. I do not or will not steer you wrong my friends. If there is one OMC album that you feel you have waste money on this is the one.

[Northman]

Zimmer's Hole-When You Were Shouting at the Devil/We Were in League with Satan(2008)


Origin
Formed in 1991 from Vancouver, Canada.

http://www.komodorock.com/images/stories/jreviews/4531_ZHCover_1204138245.jpg


Members
Chris Valagao- Vocals
Jed Simon- Guitar
Chris Stanely- Guitar
Byron Stroud- Bass
Gene Hoglan- Drums


Track Listing
1. When You Were Shouting at the Devill... We Were in League with Satan
2. We Rule the ******* Land
3. Flight of the Knight Bat
4. 1312
5. Devil's Mouth
6. Vowel Song
7. Fista Corps
8. Anonymous Esophagus
9. Alright
10. Hair Doesn't Grow on Steel
11. What's My Name...Evil!

Style
Thrash/Death/Industrial hybrid


Highlight
I know this may come as a entire shock to some people but Zimmer's Hole was one band i hadnt given much thought too. Although the obvious SYL and Devin Townsend connections i just didnt care too much to check out this particular project by Jed and company. And although i havent heard any past releases i soon will be as this record is excellent. Zimmer's Hole is a metal band that not totally unlike SYL doesnt take itself that seriously and indeed utilizes parody in its song writing. Devin wasnt toally absent on this release though as he did produce the vocal production and it clearly shows as vocalist Chris Valagao sounds at times like a cross between Rob Halford and the Alien madman himself on this record. But with all that said this ******* album OWNS. Parody or not the musicianship is outstanding and on point. Just a total unrelentless mechanism of crushing riffs and double hammered drum beats.

And just in case your curious, yes, overall the music is better on this record than the last SYL album just not as diverse. And you know coming from me that says a lot as im one of the biggest Dev fans out there. The great thing about this album is not only is it blistering heavy but hilarious on top of it all. The narration at the beginning of the Dethklok cover "The Vowel Song" is hilarious. Songs like "Hair Doesnt Grow on Steel" is paying comedic homage to the power metal genre. And obviously with songs like the title track "When You Were Shouting at the Devil...We Were in League with Satan" are laughing shots at the glam bands of the 80's. The band is just having a joy and great time with this record and it clearly shows. This album is something that everyone can listen too over and over again. Its that good.

Problems
The only problem i have with it and its really not a problem is that Chris sounds far too like Devin at times on here. And like the Warrell Dane solo project i think that Devin should of just sang on this record because it seems like something he would do anyway. Never the less, its not that much of a problem for me as i enjoy this record a lot. Moving on...

Final Thought
If your someone who loves the whole SYL sound and are bummed by the fact that they have disbanded this is a remedy to cure that hangover plus, you get to laugh in the process. This album doesnt take itself too seriously but it will kick your ass never the less.

[Northman]

Metallica- Master of Puppets (1986)


Origin
Formed in Los Angeles, California in 1981.

http://www.spirit-of-metal.com/les%20goupes/M/Metallica/Master%20of%20Puppets/Master%20of%20Puppets.jpg


Members
James Hetfield- Guitar/Vocals
Kirk Hammet- Lead Guitar
Cliff Burton- Bass
Lars Ulrich- Drums

Style
Thrash

Highlights
Look back for a moment and try and imagine a little scrawny teen ( mwah ) putting this album in. The song starts out with a acoustic guitar and being a hard rock fan i would think nothing much of it right away. But,, all of a sudden the electric guitars kick in and i began to know why there is such a buzz about this band. And when you are a scrawny teen albums like this just leaves you to believe you can defeat anyone at anytime. For a opening song this a great tune but compared to the rest of the album it is the worst of the bunch. Anyhow, on to the rest of the record. Ahhh, yes. The title track. Now is when the blood really gets boiling and the energy starts to rise. The song itself is a classic and is full or fantastic riffs and a lot of melody during the break. Hammetts solo is just outstanding and beautiful all in one. Lyrically one cannot deny how strong this song would apply to today's politics. With versus's like " Master of Puppets im pulling your strings, twisting your mind and smashing your dreams " you can get a sense of the angle the band is aiming for. The riffs are outstanding and very memorable on this track.

Without a doubt the track "The Thing That Should Not Be" is my favorite on the album next to "Disposable Heroes". It starts out with a dark and eerie guitar riff which is drawn out throughout the song. The lyrical theme fits the mood and at the same time does not imply what they are singing about but only to let the listener decide what THEY think it is about. This song is just so haunting and cold that i can never get enough of it. The following track "Welcome Home (Sanitarium)" is a beautifully written this song starts out with a melodic intro and can easily be described as one of Metallica's earliest ballads although not done in traditional fashion. The song itself is so depressing involving the pain and suffering one might deal with in his or her own mind. Using melodic solo's throughout again Hammett outdoes himself creating a soundscape of melodies. But unlike traditional ballads this one ends with a ferocity of hammering riffs allowing the listener to drag himself from the melodic embrace and unleash the anger and pain. This is a definite highlight on this record.

By far the most blistering song on this record and is the war cry for any man or woman in our armed forces is "Disposable Heroes". The lyrical content alone makes it worthwhile for the listener. Delving into the subject of young human beings going off to war and giving their life for their country serving the puppet master ( the goverment ). Some of the great lines in this song include " Soldier boy, made of clay, now an empty shell, twenty one only son but he served us well ". This song runs a little over 8 minutes but never loses its focus or intensity. Leper Messiah features some great chugging riffs from Hammett and Hetfield and some great bass lines from Burton ( may he rest in peace ). This song is pretty midpaced and keeps the album moving along and also showcases some of Lars Ulrich's best drumming.

Here is where i got blown away because just when i thought i figured out this album it throws a intrumental in here with the song "Orion". And who would have thought having a 8 minute instrumental could be so devastating? The opening guitar technique is impressive fading in and out which gives the song a dark feel. The band altogether showcases their talents in this song but do not overstep their bounds by getting to flashy. Ahh, the last song on the album and probably the most lethal and crowd pleasing. I absolutely love the opening guitar licks as they are drawn out something i had never heard before this album. It is a somewhat quiet intro and then the reverb kicks in and BLAMMO!!!!! the music just turns absolutely vicious as the band just seems to let it all hang out here. Lyrically, that band uses the similar theme that they have throughout the entire record.

Problems
Nothing, this is Metallica at their finest.

Final Thought
Although some will continue to debate that the prior album "Ride the Lightning" was a better album i still believe this is their unicorn and their trademark when it comes to musicianship, writing, and execution. One only needs to listen to this album and realize its importance to the metal scene and the standard that it set.

[Northman]

Spiculum Iratus/Bestial Incarnation- Monuments of Decimation (Split)


Band
Spiculum Iratus

Origins
United States of America

http://img.photobucket.com/albums/v293/Morbisela/MonumentsofDecimationSplitCover.jpg

Members
Entity Savnok - Vocals, Bass
Impious - Guitars (Bestial Incarnation)
Decadence - Drums

Style
Raw Black Metal

Highlights
Im doing this review in two different sections starting with Spiculum Iratus first. To their credit Spiculum Iratus does something that most Black Metal bands don't and that is they dont overshadow or drown out the vocals with the music. Part of appreciating a good album (especially black metal) is being able to hear the entire cast with great balance and flow. Spiculum Iratus has achieved that here on this split. Savnok's vocal delivery is dark and brooding yet very cold and devastating. I can best describe the vocals as somewhat along the lines of Red Harvest's Jim Bergsten. And that would be a good thing if you can appreciate the coldness and despair of his vocals on songs like "Cold Dark Matter". The song "Black Crucifixion Wounds" is a blistering piece of music all on its own, crushing your eardrums with six string verocity while filling your heart with total blackness. Spiculum Iratus is not holding anything back here. This band is not here to dazzle you with haunting keyboards or flowery melodies. They just come straight at you attacking every nerve pummeling the senses with aggressive intensity. Songs like "Scolls of the Dead" just consume the listener while envoking a serious sense of dread and anger. Other great tracks on this side of the split are "Perdition", "Sky Burial Requiem", and "The Seventh Day of Wrath". The production on this split is good, not great, but good for what the band is trying to achieve. The album also flows very nicely as the musical arrangements are in top order.


Band
Bestial Incarnation

Origin
United States of America

Members
Seregul - Vocals, Lyrics (Algiz) (US)
A. - Guitar
Impious - Guitars (Spiculum Iratus)
Anihilator - Drums (session for Algiz) (US)

Style
Black Metal

Highlights
Featuring the guitarist from Spiculum Iratus we jump onto the second half of the split with Bestial Incarnation. And right out of gates is the blasting darkness of the song "Dominated Abhorrence". The eerie and blackened feel of this song reminds me a lot of early Marduk. Again, very good use of the vocals although not quite as easy to hear like that in SI but still very effective. Seregul's vocals are absolutely blood curdleling as he screams like a lyrical assassin. The flow and chemistry of this band is excellent and without flaw. The self titled "Bestial Incarnation" continues the bloodbath of hatred with chaotic lunacy. Again, this part of the album flows very nicely from one song to another. "Opprobrium Bestowed Upon the Sub-Humans" is quickly becoming a favorite of mine. Its just unrelentless and searing with punishing musicianship. The song arrangements of this song are outstanding and perfect. The final two tracks "Divinity Scorned" and "Eradicating the Human Race" continue the onslaught of merciless aggression. Certainly a highlight for me in 2007 i would highly recommend anyone to pick this album up at your own risk. If you like black metal smashing and caving your face in than this split is the way to go. With both bands paying homage to the tradition of old school black metal Spiculum Iratus & Bestial Incarnation are a nice bit of cold and gasping air in a sea of mediocrity.

[Northman]

Strapping Young Lad- City (1996)


Origins
Strapping Young Lad was formed in 1994 and founded by lead madman Devin Townsend.

http://www.metalkingdom.net/album/img/d43/3142.jpg

Members
Devin Townsend- Vocals, Guitar
Jed Simon- Guitar
Byron Stroud- Bass
Gene Hoglan- Drums

Style
A mixture of thrash/industrial

Highlights
Its no secret about my passion for Devin Townsend and his work and there is logic to my reasoning. Devin and the music he creates exemplifies everything that i love about music in general. It can be in a somewhat classic rock vibe, a thrash vibe, a bluesy vibe, or just plain old pop rock. And it is with this that Devin simply unleashes all the fury and frustration of everyday life which in turn becomes Strapping Young Lad. The opener is a blasting and upbeat intro that opens up a astral gateway to the madness that awaits you. Then the song All Hail the New Flesh is one of the most ferocious and earth pounding songs on this record. It totally numbs you with a sonic boom as if you had just witnessed a earthquake. with a opening lyric Hey man, im going to **** this shit up you know you are in store for a wild and crazy ride. The band is truly at the top of its game here and while Devin and Jed rip open your lungs with their screeching guitar riffs, Hoglan is crushing the atomsphere with his immortal drum playing. The way that Devin screams on this song makes you envision yourself losing your soul which is trying to escape your very own carcass.

The song Oh My ******* God opens up with a narration ( perhaps taken from a movie? ) while the riffs come crashing on you like waves of thunder and all the while Devin sings so fast that it almost becomes incoherent.Other parts of his vocals on here feel as if Devin is heeving up his internal organs. The keyboards add a nice touch to this song as well especially towards the end where it feels as if a bunch of ants are crawling all over you. By far my favorite song not only on this album but of all time is Detox. The amount of energy that Devin and the boys create here is overwhelming and powerful. Using a basic chug riffing at the beginning it takes no time for the rest of the band to jump in and create havoc. Without a doubt this song was made for moshing and i cant keep myself from continuely headbanging to this classic. It seems that Devin has poured a lot of energy and emotion into this song as if he was screaming for help only to meet frustration. My favorite part of the song is during the break and Devin jumps into this lyrical passage How, did i get here tonight?, what am i looking for?, how did i reach this state?, how did i lose my sight?, Im lost. Im freaking. and everybody knows, everyone watching. So here's, all my hopes and aspirations, nothing but puke, God, its so lonely This passage speaks volumes not only in this song but to me as a person. i cant help but get emotional while listening to it. There are many songs that people listen to unleash their frustration, anger, and sadness and this song is one of them.

Underneath the Waves has a rip like riff from the get go and it reminds me a bit of early Megadeth which can never be a bad thing. This is probably one of the more chaotic songs on this album in terms of riff arrangement. Listening to this song it is so amazing to see how Devin can keep up his vocal range as he has long drawn out screams of chaotic lunacy. The keyboards are a very nice touch at the break point giving the listener a sense that maybe a brooding war is about to commence. The song is just unrelentless from start to finish and i wouldnt change a ******* THING ABOUT IT. Probably the most diverse and odd song on this record is Room 429. Starting out with a creepy keyboard sound much in the likes of King Diamond Devin starts to kick out his dark and morbid vocals. One can get a sense from this song that Devin is maybe sounding like a very twisted version of Captain Howdy. Even some of the background vocals remind me of movie scores like The Omen or The Amityville Horror. It has that creepy sound yet is almost laughable at the same time. The band has a lot of energy and chemistry and it shows throughout this record.

Problems
If there are any problems on this record i cant find any. This is Devin and crew at their most extreme and excellence.

Final Thought
This album will forever be a landmark in this band's career and a ode to the emotional turmoil that we all suffer while we continue our journey in life. There are many other albums and styles that Devin has created but this is one that truly stands out. For anyone who hasnt had the opportunity to check out Devin's work this would be a great starting place.

[Northman]

Esqarial- Discoveries (2001)


Origins
Founded in 1991 and hails from Poland touring with the likes of Vader and Krisiun.

http://ecx.images-amazon.com/images/I/41P915PA96L._AA240_.jpg

Members
Pajak- Guitars & Vocals
Vitt- Guitars
Lud- Bass
Bart- Drums

Style
Esqarial plays a blend of progressive/technical death metal.

Highlights
Every once in a while you come across a album that will just blow you away and jog your memory of why you became a metalhead to begin with. Such is the case with Esqarial, the band seems to be on a mission to help restore death metal as kings of the throne much like their other Polish brethren Decapitated and Vader. The Opening track ' World in Flames ' is just laced with dual guitar solos from Pajak and Vitt that mezmerize you into surreal landscape of eternal beauty. You say, why is this in my death metal! fear not my friends, the unholy aggression is all there but it is the outstanding guitar work that is what embodies this band. The aggressive nature of the band is done in a similiar vein of Morbid Angel. Somehow the band with their guitar playing cross the boundaries between Steve Vai, Joe Satriani and a sound somewhat derived from Testament yet also give the listener a somewhat classic rock feeling. This could be why it would be so easy for this band to become a power metal band if it wantedtoo.

Songs like ' Travel in Lust ' which is one of the instrumentals on this album comes across serene and angelic like. Esqarial is also careful not to become to technical and this is what seperates the band from the likes of Decapitated and bands like Theory in Practice. It is the emotional roller coaster that the band seeks to convey to the listener. My favorite track off the album is ' Sacred War '. A very pumped up tune that comes right at you and blisters the listener like a scorching hot day. The riffs are outstanding here as the band truly shows its death metal colors here. Towards the end of the solo break the band kick into a semi-spanish acoustical and then revert back to the main riffing. The fifth track ' Nightmare ' has a dark and melodic intro reminding me somewhat of old Atrophy but done with the ever so popular Eyptian sound. The song has a very cold and dark vibe about it creating a sense of dread within it. Again, Vitts and Pajak's solo work is astounding which adds a somber feeling to the mood the song creates.

Around track seven comes ' Atlantis ' another head turner. The band pummels out the riffs and carnage holding nothing back. Using quick licks throughout the song while Pajak bellows out his deathly growls. The song ' True Lies ' adds yet another element to this bands resume as it is filled with a sort of folk sounding riffing. The End of the cd is where the listener gets a real treat. The song ' Guitar Explosions ' is a nine and half minute musical journey that sweeps the listener into a light and beautiful barrage of emotion. Simply put, Discoveries dares to take death metal where so many few fear to tread.

Problems
Although lyrically, Esqarial doesnt astound you nor does bassist Lud or drummer Bart but as with all machines you need every part to be effective and with this pair of guitarists it all works out with its own fine chemistry.

Final Thought
Esqarial is without a doubt taking a que from other progressive death bands like Opeth but have essentially dubbed a style all their own. They have become one of my new favorite bands and are severely underrated and have not garnered the attention they absolutely deserve. It is in my honest opinion that Esqarial will be a force to reckon with.

[Northman]

Thanks for the kind words Skinny, Tuft, and Slick. \m/

[Northman]

Dismember- Like An Everflowing Stream

http://1.bp.blogspot.com/_lNmBvDRKfwM/RztmP-Mc34I/AAAAAAAAABo/T1FXm9tgF5I/s320/dismember_like_an_ever_flowing_stream_front.jpg


Members
Matti Kärki - Vocals
David Blomqvist - Lead Guitar
Robert Sennebäck - Rhythm Guitar
Richard Cabeza - Bass
Fred Estby - Drums

Style
Death Metal

Track Listing
1. Override of the Overture
2. Soon to be Dead
3. Bleed for Me
4. And So is Life
5. Dismembered
6. Skin Her Alive
7. Sickening Art
8. In Death's Sleep
9. Deathevocation*
10. Defective Decay*
11. Torn Apart*
12. Justifiable Homicide*

The Verdict
Having done the research of reading up on these blokes it wouldnt take long for one to understand what they are all about. Having members who have played amongst other musicians such as Nicke Andersson and Michael Amott its easy to see why this band has the reputation they do. Recorded at the legendary Sunlight Studio many will hear the trademark guitar crunch first heard on Entombed's "Left Hand Path" which had been recorded there previous to this album. To some extent this is the problem with the record and why so many bands had a hard time getting signed to labels such as Earache around this time.

Earache had even stated that since none of the other Swedish bands around that time could outdo "Left Hand Path' it was a waste of time for them to sign anymore bands. Never the less Dismember went ahead with their recording and created a great record in their own right. Estby is just flat out amazing here blasting away on the drums. Dismember as a whole hit you much harder and faster avoiding the sometimes drawn out riffs from their metal brethren Entombed on their debut. But again, the vocal work is eerily too much like L.G. Petrov and thus the copycat comparison is just unavoidable here.

Some would also say that Thomas Skogsberg was somewhat to blame for the similiarities that most bands around this time shared with Entombed. But since Skogsberg was really the only death metal producer at this time and because the sound is distinct and thunderous bands preferred to go this route. It was only later that bands like Grave and Unleashed went to other studios located elsewhere to avoid falling under Entombed umbrella. But as i previously stated, Dismember does fuel a lot of furious playing here. Songs like "Bleed for Me" are a prime reason that death metal during this period kept people in general in awe of its sheer brutality. There's nothing technical about this album, but it was never meant to be. This album within itself was fresh and new to the scene in general.

Even the subtle use of keyboards fits perfectly here. Some of the other classic tracks on this record are "Skin Her Alive", "Sickening Art", "Deathevocation"*, and "Torn Apart"*. One thing that i can appreciate from this time period was the very raw sound that these bands were able to create. I love polished productions and even though these recordings are polished they were able to keep the raw and distinct guitar sounds without making the final product cloudy or messy. Although by today's standards the songs sound simplistic the envelope everything that is death metal. Without this nothing else would of existed, there would of been no blueprint to go by. Add in how young these guys were when they created this its just simply amazing how dynamic and
creative these youngsters were.

Everything flows perfectly here from the vocals all way down to the guitar solos. The transitions from song to song is nearly flawless. Although i had heard some of this bands music back in 97' and even as recent as 08' it just cannot compare to the delicious entree they served from the get go from the Swedish Invasion so many years ago. Regardless of the all to familiar and similiar qualities to Entombed at the time they still managed to do enough to separate themselves from the pack. Even the image they used managed to get them some noteriety when they were stopped at customs because their album content was too "questionable". And this piece of metal history is what it is all about my friends. When you think of death metal, this is the way you do it. It may have taken me 17 years to finally sit down and listen to this but i can assure you i am going to the nearest record store and purchasing this classic as we speak.

------------------------------------------
*Bonus Tracks

[Northman]

Mastodon- Crack the Skye

http://blogs.houstonpress.com/rocks/assets_c/2009/05/mastodon%20skye-thumb-240x240.jpg

Members
Troy Sanders - Bass, Vocals, Bass Synth
Brent Hinds - Lead Guitar, Vocals, Banjo
Bill Kelliher - Guitar
Brann Dailor - Drums, Vocals, Percussion

Style
Technical/Progressive Metal

Track Listing
1. Oblivion
2. Divinations
3. Quintessence
4. The Czar
5. Ghost of Karelia
6. Crack the Skye
7. The Last Baron

The Verdict
So what is it that makes a band different? What is it that separates one from the rest of the pack? How can a musician or band remain memorable not only during their career but afterwards when all is said and done? Perhaps ingenuity, creativeness, or just sheer guts to step out of bounds from the norm. And with "Crack the Skye" Mastodon have once again pushed the limits and boundaries of their music. Mastodon in its simplest terms is like the catapillar that has slowly morphed its way out of its cocoon with bright colors and ultrasonic sounds. Once again Sanders and company have gone out of their way to explore even more territory than on their greatest achievement "Blood Mountain".

Starting off with the song "Oblivion" it doesnt take long for the listener to understand they are not getting the run of the mill record nor are they getting "Blood Mountain II" either. Nope, its quite clear from the get go that Mastodon have gone in a more melodic and harmonic state with even more experimentation musically. One thing that i absolutely love from Mastodon with not only this record but the last is that they dont shy away from the retro sound of classic rock n roll from the 60's and 70's. They are unafraid to incorporate their inspirations without becoming to copycat or run of the mill. Its one thing for a band to show skillsets and expertise playing. Its another thing entirely when the band does it with style. And Mastodon is one of the very few right now in this day and age that doesnt need to do a solo every 5 seconds to show off their talent.

If i had to be perfectly honest, i dont like this album as much as "Blood Mountain". Mainly because the boys have somewhat strayed away from using more harsh vocal arrangements or crunching riff patterns as on previous efforts. This isnt an album so much for brutality as it is for musical exploration and insight. Although i do believe "Crack the Skye" is just the tip of the iceberg into what these guys plan to do im still hoping that the next record will have a somewhat return to form with some of the more crunchier guitar and vocal tone. But, this album is also a lot of fun and full of exotic noisescapes that right now can only be matched by the band Cynic.

Its hard to believe the transcendal progression that this band has taken since its incarnation so many moons ago. The cleverness and originality that Mastodon bring is what will eventually make them legends in the genre. For once they were clouded among the scourge of the nu-metal chaos that surrounds them yet they found a way to overcome that separating themselves from not only those bands but the other bands from the underground. Mastodon seem to go into every album and continue to challenge themselves musically and never shy away from that task. With songs like "The Czar", "Ghost of Karelia", "The Last Baron", and "Divinations" they continue to push the boundaries of music.

So although overall i still prefer the acclaimed "Blood Mountain" to this release "Crack the Skye" is still a very solid effort that leaves this band with a very promising future. Mastodon dont pull any punches and have zero restrictions on themselves when creating an album. And make no mistake, just like Ozzy Osbourne, Ronnie James Dio, Type O Negative, and King Diamond. Your never going to mistake who this band is when hearing them on the radio. They have that originality and uniqueness about them that cant be missed. They have cornered a sound that simply cannot be replicated by any other band. And that my friends is why this band will be around long after they slew of metal and rock bands are gone. Mastodon keep pushing the envelope from album to album and musically and creativity wise they are just getting better.

[Northman]

Suicidal Tendencies- The Art of Rebellion

http://ecx.images-amazon.com/images/I/51wghiC0rNL._SL500_AA240_.jpg

Members
Mike Clark: Guitar
Josh Freese: Drums
Rock George: Guitar
Mike Muir: Vocals
Robert Trujillo: Bass

Style
Thrash/Crossover/Punk

Track Listing
1. Can't Stop
2. Accept my Sacrifice
3. Nobody Hears
4. Tap into the Power
5. Monopoly on Sorrow
6. We Call this Mutha Revenge
7. I Wasn't Meant to Feel This/Asleep at the Wheel
8. Gotta Kill Captain Stupid
9. I'll Hate You Better
10. Which Way to Free?
11. It's Going Down
12. Where's the Truth

The Verdict
The influence that Punk had on metal is very well known throughout its history. And although Suicidal Tendencies wasnt a leader in that movement they were able to showcase their diversity throughout their career which would eventually lead them full circle back to their roots. However, during the late 80's and early 90's ST began their exploration into the metal genre with their acclaimed album "How Will i Laugh Tomorrow, If i Cant Even Smile Today". That album showcased the promise that this band could step outside their boundaries as a punk band and create a great crossover record. With "The Art of Rebellion", ST dives even deeper down into their collective minds and experiment even further. On this record they have almost a progressive or avant-garde side to their music. And although this record doesnt sit on just genre or style it would be the last in what would be the true exploration of the band's direction as they would eventually go back to their classic punk style.

One thing that distinguishes ST from a good portion of the punk scene are Mike Muir's vocal arrangements and lyrics. If there was ever a singer that made you think he was tripping on acid 24/7 it would of been Muir (See no further than the opening of "Asleep at the Wheel"). Overall, this album is not perfect by any means. But, there are a good chunk of songs on here that carry this album to star status very easily. The playing on this album by guitarists Mike Clark and Rocky George are outstanding with their dueling solo work and harmonic melodies. Robert Trujillo (Infectious Grooves, Metallica) on bass exemplifies why his reputation is what it is. And despite some of the progressive riff patterns, melodies, acoustics, and punkish vocals there is still plenty of great thrash riffage throughout this record to even appease the thrash metal fanatics.

This album is full of different styles and unique arrangements as well as the witty and clever lyrics that Muir spews out throughout it. No, your not getting Slayer's "Reign in Blood" here but what you are getting is a funky and psychedelic bashfest with an exceptional performance by some very talented young men. Tracks like "Cant Stop", "Accept my Sacrifice", and "Which Way to Free?" showcase their edgy and more straight forward thrash compositions. While songs like "Monopoly of Sorrow", and "Asleep at the Wheel" show more of the acoustic harmony the band presents. And then of course there are melodic tracks like "Nobody Hears", and "Ill Hate you Better" that are just exceptional pieces of work. Both songs feature some of the best soloing ive ever heard both in technicality and emotion.

Ironically, despite the hypnotic melodies and atomspheric solo arrangements you can get a sense that underneath all the beauty here is a creeping vibe of anger which is expressed through Muir's performance and vocal sarcasm. Although there could of been some songs left off this record its still a must for any ST fan and fans of experimental and progressive metal. The mixture and musical arrangements that the boys here have put forth is easy flowing and the acoustic touches are perfect in every way shape and form. Truthfully, there's no way to truly explain what this album is how it will make you feel so i will leave it to Muir to himself to explain it.



What's he saying?

Yeah...just...a little...closer...

What's he doing?

It was, I know, by the corner...yeah
Sitting in the darkness...yeah
I didn't see it, but I know
It tries to hide sometimes, he he he
But it can't fool me...no
Because I had this thing, it's the way I see
The way I see when my eyes are closed
A conscenception of misconception
It's really quite, shall we say...
The really beautiful thing!
This is certain things that I've come to find
In my communications that never existed
Certain understandings that I've come to realize...yeah
But I don't believe it...no
Not for second!
It wasn't really truthful in the ways that I, that I, that I, that...
They're here right now...yeah

I wasn't meant to feel this...
I wasn't meant to feel this...
I wasn't meant to feel this way

I wasn't meant to feel this...

[SR]

August Burns Red has a new album called Constellations coming out tomorrow. Can't wait to pick it up.

[Northman]

Devin Townsend- Terria

http://www.spirit-of-metal.com/les%20goupes/D/Devin%20Townsend/Terria/Terria.jpg

Members
Devin Townsend - Guitars, Vocals, Keyboards, Ambience, Samples
Craig McFarland - Fretless Bass
Jamie Meyer - Keyboards, Piano
Gene Hoglan - Drums

Style
Progressive Rock/Metal

Track Listing
1. Olives
2. Mountain
3. Earth Day
4. Deep Peace
5. Canada
6. Down and Under
7. The Fluke
8. Nobody's Here
9. Tiny Tears
10. Stagnant

The Verdict
Devin Townsend, certainly a very unique individual with a flare to constantly adapt and shake things up no matter what project he may be a part of. Whether its producing albums or creating them with his numerous projects one thing is for certain. The man can not be pigeon holed into any one particular genre. He can do just about anything he puts his mind up too and for me on this record certainly holds true. The reason i chose to review this particular album is simple. Although it doesnt hold the comedic feeling of "Ziltoid" or the scientific induced craziness of "Physicist". Nope, "Terria" to me holds something even more special. It has ATMOSPHERE. Sure, you can hear atmosphere probably on any particular song in Devin's long storied catalog of songs but never one whole particular album.

Im not just talking about a certain sound either. Nope, im talking about genuine atmosphere encased in cloudscapes of bizarre and beautiful arrangements of thought provoking music. I often compare this album to a Pink Floyd album based off this feeling and emotion when listening to this record. Devin's ability to experiment and toy with the listener just shows how underrated as a musician he really is. Dont get me wrong, "Terria" has plenty of bite that SYL fans will still love but he is able to incorporate it to work in the structure that he has put together here. Take a track like "Mountain" for example. The song starts out with a thunderous boom but then becomes layered with the harmonic vocals of Devin and company. Midway through the song it takes a progressive leap of unsuspecting proportions before returning to Devin's high scream and the thunderous booming again. All the while he continues to have mixed different sounds behind the music itself for added effect.

The next track "Earth Day" is a more peppy 8 minute or so song that continues with the common theme of the album. "Deep Peace" is a more mellow tune but features what i think is some of the best things that Devin does on his albums to incorporate into his music. Just like the Star Trek solo from "Material" and the horse screeching of "We Ride" Devin is able to mix in the sound of orcas singing behind the music being presented to you which to me adds a surreal effect. Not to leave out the outstanding solo work done by Devin this song is one of my favorites off this record. With "Canada" Devin continues to add crazy and unique sounds while still keeping the songs intact and without drawing any attention away from the main riffs and lyrical content. Something i feel that Pink Floyd was able to master throughout their career hence the comparison. By far my favorite song on this album is "The Fluke" which is also the heaviest on here.

It has the total vibe of SYL but still manages to stay within range of the rest of the tracks and doesnt get lost in the shuffle. The only thing i dont really care about is the useless drag at the end of the song that adds nothing to the song or album. Devin has a tendency to do this on other albums as well which still makes no sense. But then again, this is Devin Townsend we are talking about here. The songs "Nobody's Here" and "Tiny Tears" are excellent and well written ballads that hit home without fault. Again the solo work on "Tiny Tears" is exceptional in every way and really showcases a whole other side to Townsend. Finally, there is "Stagnant" that ends the album very well filled with great lyrical content and more interesting arrangements both vocally and musically throughout. To me, you simply cannot be a progressive fan and not really enjoy this album as it truly reaches outside the boundaries of the ordinary progressive arrangements.

This album doesnt go out and try to wow you with overly technical playing. It (as with most of the music by Townsend) is too create emotion and deep feeling within the writing and playing. To this day, this album is still my favorite outside the SYL circle. I believe it showcases everything that Devin Townsend is as a song writer and performer. As Devin says "Its just entertainment folks!" and this album is very rewarding to the listener. While you will never say that Pink Floyd would actually put an album out like this you will say "Wow, i need to get some LSD and put this record on!" as it is a beautiful and bizarre musical journey that will enlighten the senses in every way. Pretend that your sitting in a IMAX theater and this is the soundtrack, then you will know where im coming from. A perfect masterpiece that just simply cannot be overlooked.

[SR]

Darkest Hour's new CD (can't think of the name off the top of my head and don't feel like googling it) is AWESOME, as is Constellations by August Burns Red. I also picked up the Devil Wears Prada's newest CD (released this year) and it's badass.

[Northman]

Cathedral- The Ethereal Mirror

http://www.metalrockmuseum.com/band/cathedral/the_ethereal_mirror.jpg

Members
Lee Dorrian - Vocals
Gary Jennings - Guitars, Acoustic Guitars, Bass
Adam Lehan - Guitars
Mark Ramsey Wharton - Drums

Style
Doom Metal

Track Listing
1. Violet Vortex
2. Ride
3. Enter the Worms
4. Midnight Mountain
5. Fountain of Innocence
6. Grim Luxuria
7. Jaded Entity
8. Ashes You Leave
9. Phantasmagoria
10. Imprisoned in Flesh

The Verdict
So yea, its been a while since my last review. Call it laziness, call it whatever you want i guess it was time to get back on the horse and write something. This initially wasnt going to be the genre that i was going to review but the boys inspired me a bit with the doom and Gloom feel this week with the Dolorian and My Dying Bride reviews. So here i am taking us back again to one of the first doom albums that i truly got into despite not really having a total understanding of what it was or what it was about and Cathedral was that band for me. I initially got interested in Cathedral because of the connection between singer Lee Dorrian and the band Napalm Death for whom he used to sing for. Obviously, when picking up their debut "Forest of Equilibrium" it was a bit of a shock at how the music was a far cry from what ND were doing. So needless to say it was an interesting experience hearing the sludgier riffs and slowed down tempo of the songs they created.

Although "Forest of the Equilibrium" had a few good tracks on it i sort of brushed it off until i heard "The Ethereal Mirror". On this record the band got far more creative and in some ways got a little more progressive ala Mastodon in their approach. But no, not to the point where you could throw them in the progressive genre. But their vibe picked up more with an almost psychedelic touch with songs like "Ride" and "Midnight Mountain". And if you've ever seen a video from this band you would almost leave thinking they were from the 60's and 70's by their stage antics and dress attire. Dorrian and crew are an absolute mind**** both lyrically and performance wise. But it works and the music they incorporate here is outstanding inventive. My favorite track "Fountain of Innocence" has the before mentioned psychedelic/under water sounding vocals with the retro-ish guitar sounds from Jennings and Lehan. Obviously, my favorite part is at the 3:10 mark when Dorrian goes into a full blown clean vocal arrangement followed by a great acoustic setup. The song overall has the standard ballad type feeling but is an exceptional peice of work.

Songs like "Grim Luxuria" and "Phantasmagoria" get more thunderous and crunchy in their format. The album finishes up with a little nice acoustic piece called "Imprisoned in Flesh". Although i am one to be more impressed and interested in the darker more atomspheric doom metal that is out there i can certainly appreciate what band like Cathedral do because they leave it all out on the field and leave no stone unturned. They are not afraid to travel into unknown territory to create their music using every bit of their influences along the way. The musicians are very carefree and do not care where it takes them musically and sometimes along their career it hasnt panned out but in other moments it has helped them create some brillant work. I dont necessarily consider "The Ethereal Mirror" to be a classic but there are some really good and strong songs on this record that epitomize's what doom is about. Whatever the case the guys in Cathedral have figured it out and execute it well.

[Northman]

Spiculum Iratus- Summa Anti-Theologica

http://distro.todestrieb.co.uk/images/medium/covers12/spiculumiratus-summaantitheologica_MED.jpg

Members
Os Miserum- Vocals
Entity Savnok- Bass
Impious- Guitars
L- Guitars
Decadence- Drums

Style
Black Metal

Track Listing
1. Prolegomena
2. Orations Recited Through the Mouths of the Jawless
3. The Miracle of Malignity
4. Dismantle of the Sensus Divinitatus
5. St. Mlesna
6. Expurgated Omnipotence

The Verdict
Hard to believe it's already been 2 years since the brilliant debut from Spiculum Iratus on their split album with Bestial Incarnation. But, the boys from southern cal have not disappointed with their new opus "Summa Anti Theologica". But, there have been some changes on this record where as on the split they were a three piece with bassist Savnok doing the vocals they now have five members with Os Miserum taking over the vocal duties. I must say, even though Miserum does a admirable job here i still prefer the vocals of Savnok as he has a much more brooding and blood shrieking delivery. Not too mention on this record Miserum's vocals seem a bit muddied which could have been the goal with the production but it has way too much of a echo which to me hurts the music more than helps.

But thats really my only complaint on this record and thankfully the band separates themselves with the music itself. Music wise the band still delivers high quality musicianship with earth pounding riffs and easy flowing arrangements. As with the previous effort SI's music just suffocates you with darkness and terror. They are truly exceptional at at mixing a sense of melody without making it a primary focus of the song writing, instead giving it a underlying feeling with the relentless guitar and drum attack. Although the drums could of used a little more power here it also doesn't drown out the primary focus of the guitars. All of which goes a long way to showcase every aspect of the band. Some of the best tracks on here are "The Miracle of Malignity", "St. Mlesna", and "Expurgated Omnipotence" with the latter being one of the most devastating closing songs ive ever heard.

Indeed, the future seems quite bright for these gentlemen. Although not quite a masterpiece just yet they are getting very close and its quite exciting to see what they will come up with next. Without a doubt they are one of the leaders in the USBM scene in a sea of pretenders and wannabe's. If you like your black metal raw, unrelentless, and filled with the blood of tradition make sure you get out and lend this band your ear, literally. Let their shroud of darkness envelope you and give you a glimpse into the world of the apocalypse and the aftermath that it creates.

[Northman]

Westering- Help a Body
http://3.bp.blogspot.com/_aP-aDcM35CQ/TEs2raLY6FI/AAAAAAAAAJo/UfzaOfP11XM/s320/Westering+-+Help+A+Body.jpg




01. We Buried Him Preciously
02. Only Forever
03. My Naked Hands
04. To Lurch And Fall
05. An Old Confusion
06. I Soon Will Be Myself Again
07. Gestures In The Dark
08. Vestiges
09. Whitehaired


So yea, its been a while since ive written a full blown review and lord knows there has been some pretty good releases this year. But with this album I just had to sit down and write one because as of now its my favorite of 2010 hands down. I cannot state enough how happy I am about this record. Or maybe happy is the wrong term as this record is downright depressing and foreboding. The record is a blend of black metal, ambience, and cold suffocating atmosphere. I've read other snippets about the album in which they throw in the term "shoegaze" which continues to baffle me. I swear there are new terms for music everyday when it really isnt needed. I also have seen punk thrown in there as a influence which I don't sense at all on this record. Fans of Velvet Cacoon and The Ruins of Beverast will enjoy this record immensely. The record is the debut from a lad out of Seattle, Wa by the name of Bryan Thomas.

He performs a eerily clausterphobic and haunting record here that ensares you from beginning to end and never lets up. Even the album cover in all its simplicity does its job to encompass the dark atmosphere of the record itself giving it a feel of total isolation and loneliness. This album would be fantastic to spin while sitting in a dark forest with a thick heavy fog swirling about. Help a Body is a voidic journey of eternal darkwave bliss. Throw in some great percussion and acoustic interludes and you got a recipe for a total suicidal and psychotic meltdown. My favorite tracks on here are "We Buried him Preciously", "My Naked Hands", "To Lurch and Fall", "Gestures in the Dark", and "And Old Confusion".

Fact is, there is no bad track on here which is refreshing. The arrangements are just so top notch throughout this record that it flows seemlessly from start to finish. Some of the keyboards remind me a lot of the work done on The Enigma Prognosis by Veneficum which is probably another reason why I love this record so much. The haunting atmosphere cannot be overstated here because it is such a huge part of what makes this album flow. But here I like Thomas' vocal approach much more which doesn't overtake the music itself or try to drown it out. But even with the translucent nature of the music there is still a angry and furious approach to how the music is conveyed to the audience. At this present time the album is limited to 500 copies (one of which I now own) and is totally worth the price of admission. We are heading for the downstretch of 2010 and although that's plenty of time for another record to shine for me I seriously doubt there will be one as I have played this record at least 2-3 times a day now for over 2 weeks. At this point in time Help a Body will be a serious album to contend with for the album of the year for me and deservedly so.